Brasstracks – Golden Ticket (feat. Masego & Common)

These are the kinds of tracks that birthed In My Ear — as a concept and a blog. Songs so good — songs that just absolutely bury themselves into my brain — that I want to talk about them. Share them in a way I do: by writing about them. Share the wonder they bring me.

Brasstracks are trumpeter Ivan Jackson and drummer Conor Rayne, friends and collaborators from their short-lived days at Manhattan School of Music. Together as a duo since 2014, Golden Ticket is the lead single off their same-titled debut full-length LP, which came out two weeks ago.

It’s jazzy, soulful, funky, and, above all, joyful. That’s it. That’s all you need to know.

Yes, the melody and vibe of the verses track back to Native Tongues-vintage hip-hop (and those they influenced, like a 2006 record I specifically flashed back to, put out by an underground hip-hop collaboration Surreal and the Sound Providers) mixed with Roy Hargrove-like horns that link hip-hop, R&B, and jazz traditions and sounds.

And, yes, In My Ear favorites Masego (on lyrics and vocals) and Common (spitting a guest verse), lend their names and talents to the record by delivering awesome feature spots.

And, yes, there’s a risk that you’ll burn out on the chorus by listening to and singing it on repeat because it’s hard to dislodge from your head after hearing it.

But, who cares about those details when you get to *feel* like this track feels?

Check out the rest of Brasstrack’s great new record on the sites below.

Website | Facebook | Instagram | Soundcloud | Spotify | Apple Music

Masego — Lady Lady

Masego is a a new discovery for me and this is a really fresh track as his debut full-length album Lady Lady drops today. The same-titled single was one of the record’s pre-releases and it stopped me cold on my first listen.

Masego is a chameleon. A Jamaica-born, Virginia-raised, self-taught saxophonist, pianist, singer, and producer work across musical genres and blending music, fashion, and visual arts. Dude’s got style and swagger for days. And, the musicianship to back it all up.

He coined a phrase “traphousejazz” to describe his own music. For sure the jazz part of that, but I hear as much/more classic soul, 80s’ vintage pop R&B, and 90s’ era Tribe Called Quest hip-hop. I mean, the album cover — with the cursive font and crushed velvet curtains alone — pays direct homage to Michael Jackson and Prince.

masego-lady-lady-album

I was also struck by the way this track channels Fela Kuti’s Lady. Not so much of the AfroFunk musical style; Masego is smoother and less gritty. But, the songs feel similar in their titles, themes, lyrics, syncopation, and saxophones.

Welcome to your weekend, people. Make it sexy.