#10YearThrowbackThursdays (2010) – Band of Horses, Ode to LRC

A new segment on In My Ear! On the occasional-to-maybe-regular Thursday, I’ll be digging into my archive and featuring tracks that were in my ear (and on my annual playlist) a decade ago. First up, the year was 2010…..

Alright, so technically, Ode to LRC was released on Band of Horses‘ 2007 sophomore album Cease to Begin. But, ten years ago, I was less immediately dialed into new releases (2010 was only three years removed from the first iPhone and, to my mind, still early days of streaming, on-demand music) *and* I liked Cease to Begin a whole lot better than the record that Band of Horses’ actual released in 2010, Infinite Arms.

Blah, blah, blah…technicalities aside, I was listening to this band a lot in 2010 and, specifically, this track (along with No One’s Gonna Love You also off Cease to Begin). Starting right off with the power chords, the song features all that I like about Band of Horses: straight-ahead, guitar-driven, roots-y indie rock, a deft mixture of tempos and pacing, a great sense of melody, and lead singer Ben Bridwell’s distinct vocal tone.

Concert Special! – Mt. Joy

I was pysched to see Mt. Joy show up on the Portland concert calendar. An up-and-coming indie folk-rock group and nearly overnight success story, they were one of my favorite personal discoveries in 2017.

Mt.+Joy+Promo+Pic+(1)

They released their debut album last year (the eponymous Mt. Joy) and it is stacked with hit single-worthy tracks. Hooky and catchy, but without being too pop-py or over-the-top anthemic, the songs feel — above all else — intimate and authentic.

Despite their youth and meteoric rise as a band (from posting three tracks online as unknowns to playing Bonaroo and Newport Folk Festival and releasing a full-length debut – all in under a year), Mt. Joy live sound confident and seasoned. A bit road weary, yes (and anxious to write some new songs to play), but they put on an energetic, heartfelt show with a set that kept the audience’s attention. Lead vocalist Matt Quinn’s distinctive, natural, range-y voice (at a pitch and tone that helps the lyrics stick in your brain) was on full display.

Outside hearing my top songs from their records (Sheep and Silver Lining), my favorite moment from the show was the band’s performance of Julia. The full track is below, but the band took the song to 11 live by adding an interlude cover of Bill Withers’ “Ain’t No Sunshine.” It was tight. A really great show by a band that I hope comes back around again.