Last night, I saw the Alvin Ailey American Dance Theater for the first time. This morning, I am still transfixed and in a bit of a fog; still caught up in the artistry, grace, power, and emotion of the performances. Marking the 60th anniversary of the company, Ailey 60 spanned decades. There were classic pieces choreographed by Alvin Ailey himself in the 1960s to the music of traditional hymns and spirituals (the famous “Revelations”), modern pieces danced to funk, disco, and hip-hop of the early 1980s (“Stack-Up”), and a visceral, highly charged performance choreographed incredibly by Robert Battle in 2003 to an incredibly bold and modern original composition for orchestra by John Mackey (“Juba”).
Each were beyond remarkable.
Musically, however, I was particularly taken with the selections for the newest piece, a beautiful blend of modern and African dance completed in 2018 and titled “The Call.”
It features three distinct pieces of music, the last one titled, The Love from the album Drum Love, which is the soundtrack to a play of the same title featuring the Asase Yaa Cultural Arts Foundation drummers led by Yao Ababio and Osei Ababio. I got lost in this music and the dancing was so well-choreographed to it; all fluid movements, deeply soulful, patient and quiet, while conveying strength and pride.
Featured Image: Paul Kolnik