There is no single soundtrack for the moment in America we are in right now. But, my bet is that there is at least one Run the Jewels track on nearly every playlist that sets out to capture, reflect, or otherwise document in music what’s going on (RIP Marvin Gaye).
Killer Mike and El-P are back with the fourth installment of their Run the Jewels partnership. And, true to form, they are laying waste to the structures of power and privilege in this country. The police. Capitalism and the wealthy ruling class. The current President. The government surveillance state. The prison-industrial complex.
Greater hip-hop heads than me know the solo career lineages of Killer Mike and El-P, respectively, and the development of their sound over time. Full of individual swagger, political rage, and raw-sounding, industrial beats, they’ve always channeled “heavy” hip-hop. The hard-edged, rock-and-metal-tinged sound of Beastie Boys, Public Enemy, EPMD, etc. Few rap outfits active today traffic in that vein, none as consistently raucous, inventive, and tight as RTJ.
RTJ4 is packed with standout moments and standout tracks. walking in the snow is an deeep track: a visceral diatribe on police brutality and violence and, from Killer Mike, some of the most on-point social commentary on racism, modern media, and white privilege/inaction from anyone, anywhere. the ground below is as much a hip-hop track as it is punk anthem, with a middle-finger straight up to haters and some of the most deft lyrics on the record. ooh la la is somehow both woozy and a stomper at same time. But, I’m picking the opening track to feature here — yankee and the brave (ep. 4) — because it comes hard out of the gate and sets the tone for all that follows: an unrelenting barrage of tight raps, focused fury, and pounding, funky beats.
RTJ just keeps getting better. And, with this new record, they’ve created a modern classic.
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